The bass drum (also known as the kick drum) is the largest drum in your set, and is played using a bass drum pedal. Like most drums, they come in a variety of different sizes, shell types and setups, and this article highlights five essential facts that every drummer should know to get the best out of their foot powered boom maker! If you need help understanding any of the terms in this article, you can view our free and comprehensive glossary.

1) Different shell types and different sizes - all of this makes a difference.

The bass drum shell itself is typically constructed of several plies of wood, and the type of wood makes a difference to the sound. While budget and starter drum sets usually have inexpensive woods such as poplar and basswood, intermediate and higher end drum sets can have shells made from maple, birch, mahogany, oak and walnut. Maple and birch are by far the most common, with the former giving a sound that is best described as open and resonant, while birch shells are focussed with a sharper attack.

Bass drum sizes are measured in diameter and depth. The most common bass drum sizes are 22x18, 22x16 and 20x16, but there are many variations. Diameters can go up to as large as 24 inches on modern production drum sets, and generally as small as 18 inches for jazz applications. Manufacturers generally list all of the available options on their websites. It makes sense that the larger and deeper the drum, the bigger the sound. Smaller sized drums have a more controlled, punchy sound.

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2) Drilled or un-drilleD? Why, and what's the difference?

When we refer to drilled or un-drilled bass drums, we are specifically talking about whether the drum has a large hole drilled at the top to accommodate a tom holder. The image below shows a drilled bass drum, with the tom holder being inserted. This can be viewed in our free video, One Video Every Beginner Drummer Should Watch.

It is mostly the higher-end professional grade drum sets that have an un-drilled bass drum, where the rationale is that the less drilling there is on a shell, the more resonance and tone there is to the drum. This however, is largely negated by the fact that since most bass drums are fitted with some type of internal muffling (see below), the resonance is largely controlled regardless. If you do opt for a bass drum that is not drilled to accommodate a tom holder, you will need an alternative solution to mount your toms, such as racks, or cymbal stand mounted holders.

3) Bass drum heads and dampening make a big difference.

It's important to recognize that starter drum sets generally come with basic drum heads, and switching to a mainstream brand can significantly improve the sound of your drums, particularly the bass drum. There are two drumheads on a bass drum; the batter head, and the resonant head. The batter head is the head that the beater strikes, and the resonant head (sometimes referred to as the front head) is the opposite head, and often has a small hole, also known as a port. Batter heads can be single or double ply depending on the sound you are looking for, and bass drum heads normally have an additional layer of pre-dampening, such as a plastic outer ring. For more information on drum heads, we recommend that you read this article.

It is recommended that some additional dampening is placed inside the bass drum, such as a blanket or a small pillow. The purpose of this is to further reduce the resonance of the drum. Remember, a bass drum should have a low-end, short and punchy sound with minimal ring, and internal dampening helps to achieve this. You don't need to overdo this - just a light blanket or small pillow (ideally something that lightly touches both the batter and resonant head) should suffice.

4) Your bass drum pedal technique can affect the sound of the drum.

In our free video, One Video Every Beginner Drummer Should Watch, we discuss two very commonly used bass drum techniques for drummers: the heel up, and heel down technique. Drummers generally have a choice to either leave the bass drum beater touching the drum head after the note has been played, or to release the beater immediately, and both will give distinctly different sounds. Leaving the beater touching the drum head will produce a sharper attack with less resonance, whereas releasing the beater immediately will let the drum sing and resonate a fraction longer, with what some would argue is a more attractive tone. As mentioned earlier, given as we generally have some form of dampening in the drum to reduce that resonance, the latter point is somewhat negated. In our experience, beginner drummers seem to handle the heel up technique, with the beater left touching the drum head, better than the instant beater release, but the important thing is to try both and see what works best for you. The image below shows the beater touching the bass drum head, in a heel-up situation.

5) Bass drum spur positioning can affect stability and playability.

The legs that are attached to the sides of the bass drum are known as the bass drum spurs. Some of them have spikes that can be deployed to stop the drum from sliding, but be very careful of that feature on hardwood and tile floors! A small rug or carpet is always the best option so that your spikes can dig in and provide a non-slip playing situation. It is very frustrating and impractical when the bass drum moves every time it is played, and you will experience this on harder surfaces where the spikes cannot be used. The spurs should be angled to provide maximum resistance against slipping, while raising the front bass drum head approximately one inch off the floor. The latter suggestion will give you improved playability on the batter side. The image below shows both of these suggestions in action.

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